Free PDF Beauty: A Very Short Introduction
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Beauty: A Very Short Introduction
Free PDF Beauty: A Very Short Introduction
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Audible Audiobook
Listening Length: 6 hours and 11 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Tantor Audio
Audible.com Release Date: February 26, 2019
Whispersync for Voice: Ready
Language: English, English
ASIN: B07NGPS7QP
Amazon Best Sellers Rank:
Roger Scruton has written a fascinating and thought-provoking introduction to the philosophical musings surrounding beauty in this book. Rather than attempting to to exactly define what beauty is he takes a different route, striving to help the reader work through how beauty relates to man and what the significance of that relationship is. Scruton leans heavily on Kant, never quite affirming or denying Kant's ideas, but rather playing off of them, pointing out where they are helpful but also exposing their shortsightedness and/or misconceptions. In that regard, Scruton felt very balanced and mature in his approach.

As a writer, I greatly appreciated Scruton's tactic of introducing ideas and concepts early in the book which he utilized later, early ideas and concepts being built upon and "paying off" later on in the book. The connection of desire and the exploration of sexual desire and attraction between people which he works through in the second chapter is essential to the line between erotic art and pornography he divines later on. Additionally, he introduces the idea of the sacred as early as the first chapter, though it is much more extensively explored in the second chapter and onward, which he then draws on for his climactic eighth chapter, art is contrasted with kitsch and the treasuring of the sacred with its desecration in postmodernity.

Additionally, though it was only explored briefly, the parallel between the appreciation of jokes (and the difference between good ones and bad ones) and the beauty of art (which is judged as good and bad as well) I found quite insightful. I think a better argument might have been made for some equivalence between humor and beauty, but there are also dark corners to the reality of humor which do not fit Scruton's ultimate orientation for beauty, so that equivalence would not have lasted long at all.

Though he never comes forward as a Christian, Scruton's religious worldview is evident in the eighth chapter, specifically with his elevation of sacrifice as that path which beauty offers to man as salvation from the mindless addiction of kitsch and desecration. To explore the ramifications of such a connection would, in my opinion, require an entirely different volume (or more) to tease out. Here, Scruton seems satisfied to point and highlight.

Overall I found the book a quite enjoyable read, and much more accessible than I first feared. Though some of the philosophical waters he treads in are deep, he does so with ease and an nonchalant proficiency of which I am slightly envious. I would highly recommend this book to pastors and especially worship leaders or worship arts pastors who are trying to work through how the arts can fit into their church. While not proposing a theology of the arts, Scruton has laid a philosophical (and almost theological) foundation which could greatly contribute to anyone working through such things. I also think this book would be accessible to anyone interested in delving a little deeper into the philosophical waters surrounding beauty, and it would be a great starting point before diving into some much deeper waters with other philosophical writers.
Scruton is a philosopher who stands in stark contrast to much of what the modern world proposes on art....i.e., that beauty is something completely subjective; that it is a private elitist vision, directly related to undemocratic high art. By demonstrating that beauty is something much more objective...of which all retain an innate appreciation...Scruton quietly demolishes such nonsense, accompanying so much contemporary discussion on art, sculpture, and architecture. His discussion on popular kitsch is particularly revealing of the modern (and post-modern) world's intrinsic reductionism, and of the false and insulting premise, which strongly asserts that the common man is not capable of appreciating anything but the lowest, unambitious, and highly subjective artistic expressions.I think this little essay is a strong assertion for a reconnection to the great traditions of art, not as something of the past...not as something to build a wall against...but as a living vibrant tradition, to which all can aspire, in our own era.
Roger Scruton's Beauty: A Very Short Introduction is a brilliant distillation of the history of western thought on a subject central to pleasure, aesthetics, morality and truth. Scruton manages to pack an immense amount into single sentences or simple paragraphs, loaded to someone versed in the literature of the subject but not so overburdened with academic references and jargon that the lay person unversed in the literature of the subject can't appreciate it - it works on both levels. In short, the more you bring to this book, the more you find to appreciate about it. Only those who are deeply versed in the canon of this subject would think this treatment too short, simple, or superficial. Those who are not will find it delightfully deep and intense while marveling at its brevity. Most impressive are the moves this book makes to putting back the pieces of a dialog shattered by modernist moves of deconstruction amid cultural relativism, both of which too cleverly reduce substantial discussions of this subject to just a matter of opinion, when it is so much more (and substantial discussions of a topic central to humanity and a life well-lived need more). Scruton shows how and why. Scruton reminds us in many diverse ways why beauty is so relevant and inspiring.
Aesthetics went into the doldrums when Andy Warhol appeared. This book represents the return. Not that this is Professor's Danto's aesthetics-- or Hegel's. Far from it. Instead, Scruton shows us why loving the beautiful may be a moral imperative, that in fact by refusing to do so we may be a fallen society. Obviously, Tarantino's fans won't be pleased, and neither will be those who just paid $20 million for a lifesize statue of Jeff Koon's cock (made out of Titanium).If you tend to think that American culture is low, vulgar, and foul (and that this is not a good thing), you better read this. Scruton is no prude-- he's not against sexuality or eroticism. But he explains that the linkage of interchangability with eros comes with a price. And he's clear that our Disney/Hello Kitty/Kawai cuteness culture is allied with absolute evil.
It is a fine introduction to the philosophy of beauty, sometimes erroneously called "aesthetics." Though it is not a science of "sensation," as the Greek misnomer would suggest, it is a most important human concern with ethical, spiritual and practical as well as sensory dimensions. Scruton does a fine job of introducing his readers to the whole range of issues, and to the history of European thought about them.
As a teacher who teaches a course about life's big questions, like "What is Beauty?", this book is a great resource on a variety of perspectives and research on the topic. While it is certainly not all-encompassing, it is a great starting point to then seek out more information from other sources.
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