Download PDF The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems, by Syd Field

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The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems, by Syd Field

Download PDF The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems, by Syd Field

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Amazon.com Review

Can't get your characters to shut up? Is the bit player in Act II more compelling than your protagonist? Do your scenes drag on f-o-r-e-v-e-r? Whatever your problem, screenwriting guru Syd Field can help; he's written four previous books on screenwriting, teaches worldwide, and is "involved in the reading and writing of about a thousand screenplays a year." Screenplays bog down in vague and mysterious ways, says Field; identifying a screenwriting problem is half the battle. Fixing a screenplay that seems dazed and confused might seem like Mission: Impossible, but you've got to have courage under fire. By identifying symptoms in the writing, Field isolates about 20 different screenwriting problems, each related to plot, character, or structure (after all, what else is there?). His fixes generally involve getting to know your characters or story better, through the use of automatic writing, biographical sketches, and the like. For examples of spectacular screenwriting, he offers excerpts from the screenplays for Thelma and Louise, The Shawshank Redemption, Pulp Fiction, Apollo 13, and Silence of the Lambs. Field is a man of many mantras: "Writing is rewriting," "Film is behavior," "Drama is conflict," "Action is character." But his advice is so useful that you'll forgive him his facile phrasemaking. And you'll thank him for persuading you that, yes, "a problem is an opportunity, a challenge that will allow you to ultimately improve your craft." --Jane Steinberg

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Review

With examples from Pulp Fiction, How to Make an American Quilt, The Shawshank Redemption, Crimson Tide, Broken Arrow...and more of Hollywood's biggest hits"The most sought-after screenwriting teacher in the world."—The Hollywood Reporter"If I were writing screenplays...I would carry Syd Field around in my back pocket wherever I went."—Steven Bochco, writerproducerdirector, L.A. Law, NYPD Blue"I based Like Water For Chocolate on what i learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story."—Laura Esquivel

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Product details

Paperback: 384 pages

Publisher: Delta (February 17, 1998)

Language: English

ISBN-10: 9780440504917

ISBN-13: 978-0440504917

ASIN: 0440504910

Product Dimensions:

5.2 x 0.8 x 8.2 inches

Shipping Weight: 11.4 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#582,707 in Books (See Top 100 in Books)

An excellent guide, but you should read his book Screenplay – The Foundations of Screenwriting first in order to better understand his terminology. I liked the repetition for emphasis; it was good for a novice such as me. The writing style is easy and quite readable.The only place I had trouble was in following his screenplay examples since I hadn’t seen most of the films. But, if I took it upon myself to see them, I’m sure Field’s remarks would make a lot of sense.Also, the book was last copyrighted in 1998. While the basics are surely there, a little updating might have been in order.

So great! Fully appreciate the clear guidance through the maze of hidden screenwriting problems. A master's guide to getting​ out of being stuck!

I bought this book to catch up on ways to motivate myself when writing my scripts. I run into problems with scenes that don't fit and the book easily explains what to do. My screenwriting moto is that if it doesn't fit take it out. Anyone who has to do rewrites for agents, hollywood prod. companies or for themselves, should pick up this book. EXCELLENT....

This is helping me so much to get past the hiccups in my screenwriting.

This is one of the best books I've read on the art of diagnosing and editing screenplay problems. I got much more out of this in one sitting than going through years of weekly writers critique groups. He gives very practical, formulaic rules for analyzing structure, character and plot problems, and his illustrations drive the points home. I highly recommend this book.

everything that i had hoped for

Bought it new and it arrived in great condition!

Item as described. Very good book.

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